Tuesday, October 30, 2012

Happy Samhain!

Halloween is a rather strange holiday. For many in the more traditional Christian circles—particularly evangelical ones—it's kind of taboo. But anyone who knows me at all knows that I don't have much truck with entrenched tradition, particularly taboos. So bring on the ghosts and goblins!

As with many holidays on the Western calendar, Halloween is an amalgam of pagan and Christian festivals. There is some debate as to the exact roots of modern Halloween celebration, but most agree that the ancient Celtic festival of Samhain was a major component. Samhain was the new year in the Celtic calendar, marking the end of the "light" half of the year and the beginning of the "dark" half. It fell around October 31–November 1 at the point halfway between the autumn equinox and the winter solstice.

Unfortunately, the church has often had a problem with anything that acknowledges darkness, much less embraces or celebrates it. I think this is to our great detriment. It seems rather naive to ignore the dark aspects of life. Many ancient cultures had no such problem (including, ironically the Hebrew tradition that gave birth to Christianity). They understood that life just wasn't all sunshine and happiness. Winter always came, as did night...and, of course, death. Actually, an examination of much of the literature—and particularly art—of the Middle Ages reveals something quite different. There was often imagery that acknowledged that death was a constant companion for everyone, regardless of station.

Now, I'm not implying that we all need to participate in the Danse Macabre, but we do need to be aware of it. And anyone who has gone through the death of a loved one knows this on a very real level. So although there is natural resistance to dwelling on our own mortality, we need to face it sooner or later. And maybe sooner is better.

At any rate, the Celts (and others) of old had an appreciation of the darker side of life. And it wasn't necessarily seen as "evil." There's a certain beauty in night, and in winter, isn't there? And Samhain was seen as one of the "thin" times when the spirit world could easily touch the everyday world. And while that can be scary, it can also be marvelous. I think if we allow ourselves to be open to the wonder of darkness, and the beautiful calm and unifying clarity it can bring, we will be the richer for it.

Sunday, October 14, 2012

Requiem

Two weeks ago, my grandfather—almost 90—passed away. The memorial service was the following Friday, and I shared some thoughts. They are recorded here, with just a few edits:

On Monday of this week, I had a standing appointment with my spiritual director. Knowing about Grandpa’s passing, she asked me if I wanted to keep the appointment. “Oh, yes,” I said. I’m glad I did. She helped me so much in processing and dealing with his passing.

She asked me how Grandpa was a gift to me. What a question! I know that he was a gift in many ways to many people. Two things came very quickly to mind. First, he was a great expression of embodied love. He wasn't often verbally expressive of it; he just lived that way. As everyone could attest, he would do anything for you. There was never any request that he wasn't willing to grant. I couldn't begin to count the times he helped me financially, physically, and with advice. He really personified love in a very practical, tangible way. And everyone who knew him was richer for it.

The second way that he was a gift to me was the joy that he always brought. Some of my earliest childhood memories were simply that Grandpa always made me laugh. Again, I’m sure this isn't news to anyone. He just loved to laugh and have a good time. There are few people who were more joy-filled than Bob Buch.
After I mentioned these two gifts, my director then asked how I thought I could honor him in my own life. And simply put, I would want to continue his legacy of personified love and joy. If I could exhibit half the love and the joy that he did throughout his life, I would consider that I had lived a good life.

For the last several months of Grandpa’s life I was involved in a stage production of Tennessee Williams’ Night of the Iguana.  One of the main characters in the play is traveling with her grandfather, who is close to death and is composing a poem. They both realize that completing the poem will be his last act in this life. At the end of the play, the poem is finished and the grandfather does in fact die. You can imagine the impact of rehearsing this death of a beloved grandfather over and over. The completed poem is a poignant symbol of mortality. And I’d like to end by sharing it now.

How calmly does the orange branch
Observe the sky begin to blanch
Without a cry, without a prayer,
With no betrayal of despair.

Sometime while light obscures the tree
The zenith of its life will be 
Gone past forever,
And from thence
A second history will commence.

A chronicle no longer gold,
A bargaining with mist and mould,
And finally the broken stem
The plummeting to earth; and then

An intercourse not well designed 
For beings of a golden kind
Whose native green must arch above
The earth's obscene, corrupting love

And still the ripe fruit and the branch
Observe the sky begin to blanch
Without a cry, without a prayer,
With no betrayal of despair.

O Courage, could you not as well
Select a second place to dwell,
Not only in that golden tree
But in the frightened heart of me?