The community theater I'm involved in, Ephrata Performing Arts Center, is presenting Tennessee Williams' The Night of the Iguana in a few weeks.
Over the last few years, I've become a real fan of Williams' work. I always knew that he was considered a great American playwright, and I remember enjoying The Glass Managerie in high school (although I now doubt that I fully understood it then). But this will be my second (small part in a) Williams play in four years. And even though they have been small parts, I am still involved in the process and immersed in the emotional, intellectual, and spiritual journey.
Williams tends to write very emotional, very deep pieces. Some would call them depressing. Yeah, they do deal with difficult issues; life is sometimes difficult, and I think good literature should reflect that. In Iguana, the central character, T. Lawrence Shannon, is a troubled man of the cloth leading a tour group through Mexico in the 1940s. He has a personal crisis, and the play explores how it affects him and those around him—who are dealing with their own crises as well. It's been said that not much happens in this play; and yes, if you just follow the plot points, there aren't many. But the internal journey that at least four characters undertake is profound. Death, faith, sexuality, and personal connection are major themes. Can't get much more serious than that! Universal themes are explored on a very personal level—another mark of good literature. Even though most of us will never be troubled ministers, 97-year-old poets, spinster art hawkers, or widows running a hotel in Mexico, everyone will find mirrors of themselves in one or more of the characters.
Read the play when you're in the mood for something emotionally challenging; and if you're in Lancaster County in September, come and check out the production. I'll leave you with the lovely poem composed by the aforementioned poet in the play:
How calmly does the orange branch
Observe the sky begin to blanch
Without a cry, without a prayer,
With no betrayal of despair.
Observe the sky begin to blanch
Without a cry, without a prayer,
With no betrayal of despair.
Sometime while light obscures the tree
The Zenith of its life will be
Gone past forever, and from thence
A second history will commence.
The Zenith of its life will be
Gone past forever, and from thence
A second history will commence.
A chronicle no longer gold,
A bargaining with mist and mold
And finally the broken stem
The plummeting to earth; and then
A bargaining with mist and mold
And finally the broken stem
The plummeting to earth; and then
An intercourse not well designed
For beings of a golden kind
Whose native green must arch above
The earth's obscene, corrupting love.
For beings of a golden kind
Whose native green must arch above
The earth's obscene, corrupting love.
And still the ripe fruit and the branch
Observe the sky begin to blanch
Without a cry, without a prayer,
With no betrayal of despair.
Observe the sky begin to blanch
Without a cry, without a prayer,
With no betrayal of despair.
O Courage, could you not as well
Select a second place to dwell,
Not only in that golden tree
But in the frightened heart of me?
Select a second place to dwell,
Not only in that golden tree
But in the frightened heart of me?